The best Side of Charlie Chaplin's "The Circus" (1928)

The Buster Keaton character has his toes on the bottom. He could well be embarrassed to parade his goodness. He works by using ingenuity instead of divinity. Chaplin’s untidy love lifetime implies he felt he deserved whomever he preferred; Keaton in non-public life seems to have been melancholic due to alcoholism, but a decent sufficient type wit

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